10 Best Audio Interfaces With MIDI Ports for Home Studios in 2026

The best audio interfaces with MIDI ports give home-studio musicians a practical way to connect microphones, instruments, speakers, headphones, and external MIDI hardware through one compact setup.

We selected 10 options across different budgets and recording needs, from simple solo rigs to four-input interfaces designed for larger sessions.

Best 10 Audio Interface with Midi Ports Picks for 2026

Best for Four-Input Recording – Behringer U-PHORIA UMC404HD

Behringer U-PHORIA UMC404HD Audiophile 4x4, 24-Bit/192 kHz USB Audio/MIDI Interface with Midas Mic Preamplifiers

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The Behringer U-PHORIA UMC404HD is a strong choice if you need an audio interface with MIDI ports and enough inputs for microphones, instruments, or small recording sessions. It combines four mic preamps, 4×4 USB connectivity, and 24-bit/192 kHz recording in a metal chassis.

Best For: Home studios, small ensembles, and creators who need four simultaneous inputs plus MIDI connectivity.

Pros:

• Four MIDAS-designed mic preamps with +48V phantom power
• 4×4 USB audio connectivity with one MIDI input/output
• Supports 24-bit/192 kHz recording and popular DAWs
• Impact-resistant metal chassis

Cons:

• Larger and heavier than the two-input interfaces in this roundup
• Listed operating-system support begins with older Windows and Mac OS versions

Choose the UMC404HD when input count matters as much as MIDI. Its four preamps and multiple USB inputs and outputs offer more expansion room than compact two-channel models.

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Best for Feature-Rich Two-Channel Recording – Focusrite Scarlett 2i2 4th Gen

Focusrite Scarlett 2i2 4th Gen USB-C Audio Interface

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The Focusrite Scarlett 2i2 4th Gen is a polished two-input option for anyone seeking an audio interface with MIDI ports. It offers two mic preamps, Hi-Z instrument inputs, USB connectivity, and recording features designed to simplify level setting and tracking.

Best For: Songwriters and home producers recording two microphones or instruments with a modern computer-based setup.

Pros:

• Two mic preamps and two Hi-Z instrument inputs
• 120 dB dynamic range and up to 24-bit/192 kHz recording
• Auto Gain and Clip Safe help manage recording levels
• Includes Air modes and a substantial software bundle

Cons:

• Provides two channels rather than the four inputs found on the Behringer model
• The supplied details do not list a MIDI input/output

The 2i2 is compelling for straightforward recording and software-assisted setup, but it is not the best match if MIDI hardware connectivity is a firm requirement. Verify the available ports before buying for a MIDI-based rig.

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Best for Portable USB-C Recording – PIYONE Q2 Alloy Red

PIYONE Audio Interface, 2X2 24-bit/192kHz Interface for High-Fidelity, Studio Quality PC/Mac/iOS Recording, XLR/TRS Combo Input, Monitor Mix/Loopback Function, One-Cable Setup(Alloy Red)

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The PIYONE Q2 Alloy Red is a compact two-channel interface for laptop and mobile recording. Although marketed for users looking for an audio interface with MIDI ports, the supplied specifications focus on USB-C audio connectivity, combo inputs, phantom power, and direct monitoring rather than MIDI I/O.

Best For: Portable creators who need simple two-input recording, USB-C bus power, and zero-latency monitoring.

Pros:

• USB-C connection handles data and bus power without an external supply
• Two XLR/TRS combo inputs support microphones and Hi-Z instruments
• 24-bit/192 kHz recording with 48V phantom power
• Direct monitoring and a 3.5mm headphone output support low-latency tracking

Cons:

• The supplied notes do not specify MIDI input/output ports
• Only two channels are available

This interface suits mobile and home recording more than MIDI-centered setups. Its one-cable USB-C design and direct monitoring are practical advantages, but buyers who specifically need MIDI should confirm the port layout first.

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Best for Solo Songwriters – Focusrite Scarlett Solo 4th Gen

Focusrite Scarlett Solo 4th Gen USB-C Audio Interface

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The Focusrite Scarlett Solo 4th Gen is a small, focused recording interface for a vocalist and guitarist or another one-mic/one-instrument setup. It may appear in searches for an audio interface with MIDI ports, but the supplied specifications list one XLR mic input and one Hi-Z instrument input without a MIDI connection.

Best For: Solo songwriters who want a compact USB-C interface for recording one microphone and one instrument.

Pros:

• One XLR mic preamp plus one Hi-Z instrument input
• 120 dB dynamic range and up to 24-bit/192 kHz recording
• Air mode adds presence and harmonic drive to vocals and guitars
• Includes recording software, plugins, and mastering tools

Cons:

• The supplied details do not list MIDI input/output
• Its one-mic/one-instrument layout is less flexible for larger sessions

The Solo is the most streamlined pick here for individual recording. It delivers useful sound-shaping and software features in a lightweight design, but it is not the right choice when hardware MIDI connectivity is essential.

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High-Resolution MIDI Recording – Mackie Onyx Producer 2-2

The Mackie Onyx Producer 2-2 is a strong choice if you need an audio interface with MIDI ports for computer-based recording and hardware MIDI gear. It combines two boutique-quality mic preamps, combo inputs for microphones and instruments, 24-bit/192kHz recording, and bus-powered USB connectivity in a rugged enclosure.

Best For: Musicians who want high-resolution recording, MIDI I/O, and flexible mic, line, or Hi-Z instrument inputs.

Pros:

• Supports 24-bit/192kHz recording with 2-in/2-out operation and MIDI I/O.
• Two Onyx mic preamps include 48V phantom power for condenser microphones.
• Combo XLR/TRS inputs accept mic, line, and Hi-Z instrument sources.
• Zero-latency direct monitoring and bus-powered USB make recording practical on the go.

Cons:

• Its two-channel design may be limiting for larger recording setups.
• The included warranty is limited to one year.

Choose the Onyx Producer 2-2 when recording resolution and preamp quality matter as much as MIDI connectivity. Its direct monitoring and durable, adapter-free design also suit mobile or everyday studio use.

All-Around Recording Value – PreSonus AudioBox 96

The PreSonus AudioBox 96 is a practical audio interface with MIDI ports for personal, portable, and home-studio recording. Its two Class-A mic preamps, instrument inputs, 24-bit/96kHz converters, and broad software bundle give new and experienced users a flexible starting point.

Best For: Home-recording users who want MIDI I/O, two-channel recording, bus power, and bundled production software.

Pros:

• Includes MIDI I/O alongside two mic and instrument recording channels.
• Supports up to 24-bit/96kHz recording and playback.
• Class-A preamps, 48V phantom power, and high-headroom instrument inputs support varied sources.
• Includes Studio One Artist, Ableton Live Lite, and the Studio Magic Plug-In suite upon registration.

Cons:

• Its 96kHz maximum sample rate is lower than some higher-resolution interfaces.
• Only two channels are available for simultaneous recording.

The AudioBox 96 stands out for its useful combination of MIDI connectivity, straightforward controls, and software value. It is especially appealing for portable setups that need phantom power and zero-latency monitoring without a separate power supply.

Compact Streaming and MIDI Setup – M-AUDIO M-Track Duo

The M-AUDIO M-Track Duo is a compact audio interface with MIDI ports for basic recording, podcasting, and live streaming setups. It offers two combo XLR/line/instrument inputs, phantom power, direct monitoring, and a simple USB connection for Mac or PC recording at up to 48kHz.

Best For: Podcasters, streamers, and musicians who need an affordable two-input interface with flexible monitoring.

Pros:

• Two combo inputs accommodate microphones, line-level sources, and instruments.
• USB/Direct switching enables zero-latency monitoring.
• Includes a headphone output, stereo main outputs, and phantom power for condenser microphones.
• Comes with MPC Beats and supports Mac, PC, iOS, and Android devices.

Cons:

• Its maximum sample rate is 48kHz, below the other listed interfaces.
• The supplied notes do not specify MIDI ports in the detailed input list, despite listing MIDI hardware compatibility.

The M-Track Duo is best suited to straightforward two-source workflows where portability and easy monitoring take priority. Consider it for podcasting, streaming, or basic instrument and vocal recording rather than high-resolution studio production.

Best for Mobile Creators – MAONO P1 USB Audio Interface

MAONO P1 USB Audio Interface with 70dB Gain for PC, Phone, iPad & Guitar

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The MAONO P1 is a flexible audio interface with MIDI ports alternative for creators who prioritize USB connectivity, mobile recording, and streamlined streaming. Its dual USB ports can connect a computer and phone or tablet simultaneously, while up to 70dB of gain supports demanding dynamic microphones.

Best For: Podcasters, streamers, and musicians recording or broadcasting from computers and mobile devices.

Pros:

• Dual USB connectivity supports computer-and-mobile workflows.
• 24-bit/192kHz recording and up to 70dB of gain provide detailed capture with dynamic microphones.
• Auto-gain, loopback, direct monitoring, and routing software simplify streaming and recording.
• Compact metal housing and a tilted design suit desk or mobile setups.

Cons:

• Its feature-rich routing and software may take time to learn.
• The supplied notes do not list a dedicated MIDI input or output.

The P1 stands out for creators who need high gain and flexible mobile connectivity more than traditional MIDI hardware integration. Auto-gain, loopback, and independent monitoring controls make it particularly practical for live content and home recording.

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Best Budget Starter – M-AUDIO M-Track Solo

M-AUDIO M-Track Solo USB Audio Interface

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The M-AUDIO M-Track Solo is a straightforward entry-level audio interface with MIDI ports alternative for recording, podcasting, and live streaming. It offers one combo XLR/line input, a separate line/instrument input, phantom power, and zero-latency monitoring in a compact USB design.

Best For: Beginners recording vocals, guitar, keyboards, or line-level sources on a Mac or PC.

Pros:

• Combo XLR/line input and separate line/instrument input support varied sources.
• USB/direct monitoring switch enables zero-latency monitoring.
• Includes 48kHz recording, RCA outputs, and a headphone output.
• MPC Beats software is included for getting started with production.

Cons:

• It has two channels but only one combo XLR input.
• Its maximum sample rate is 48kHz.
• The supplied notes do not list MIDI ports.

The M-Track Solo keeps the essential recording controls simple and affordable. It is a sensible choice for a first interface when you need microphone and instrument inputs but do not require extensive routing or MIDI connectivity.

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Best for Simple 2×2 Monitoring – Synido USB-C Audio Interface

USB C Audio Interface for Recording Music, Streaming, Podcasting, Silver

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The Synido 2×2 is a compact USB-C audio interface with MIDI ports alternative for basic recording, streaming, and podcasting. Its 24-bit/48kHz operation, XLR/6.35mm input, switchable line or instrument mode, and three monitoring modes offer practical flexibility for small setups.

Best For: Mobile and desktop users who want simple two-channel recording with flexible monitoring.

Pros:

• Three monitoring modes cover direct input, mixed computer audio, and USB playback.
• 24-bit/48kHz recording and LED level indicators help support clear capture.
• XLR/6.35mm connectivity, line/instrument switching, and 48V phantom power add versatility.
• Lightweight 300g design and USB-C connectivity suit portable setups.

Cons:

• Its maximum sample rate is 48kHz.
• A third-party universal ASIO driver may be needed for improved DAW compatibility.
• The supplied notes do not list dedicated MIDI ports.

The Synido is a practical pick when straightforward monitoring and portability matter most. Its three-mode monitoring system is especially useful for switching between recording, live broadcasting, and computer playback without complex routing.

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How We Picked the Best Audio Interface with Midi Ports

We focused on interfaces that support computer-based recording while offering MIDI connectivity or a useful combination of audio and controller features. Our comparison considers input and output count, microphone preamp quality, phantom power, recording resolution, monitoring controls, USB compatibility, portability, and overall value.

Because product specifications and included cables can vary, check the manufacturer’s current listing before buying—especially if you need USB-C, iOS compatibility, loopback, or traditional five-pin MIDI connections.

Quick Comparison

Best For	What to Look For
Solo vocals or instruments	One or two quality inputs, direct monitoring, and a headphone output
Two-person recording	Two combo inputs, independent gain controls, and phantom power
External keyboards or drum machines	Dedicated MIDI input and output, plus reliable USB connectivity
Small bands or multi-mic sessions	Four or more analog inputs and flexible monitor routing
Mobile recording	Bus power, compact construction, and phone or tablet support

Key Buying Factors for an Audio Interface with Midi Ports

Inputs, Outputs, and MIDI Connections

Count how many microphones, guitars, keyboards, and line-level devices you will connect at the same time. Combo XLR/TRS inputs are flexible, while dedicated five-pin MIDI ports are important for hardware synthesizers, controllers, and drum machines. Do not assume every USB interface includes traditional MIDI just because it works with MIDI software.

Preamp Gain and Recording Quality

Higher gain can help with low-output dynamic microphones, while clean preamps reduce unwanted noise. For most home recording, 24-bit operation and sample rates up to 96 kHz are more than sufficient; 192 kHz support is useful only for specific workflows and creates larger files.

Monitoring and Compatibility

Direct monitoring can reduce latency when recording. Also check for phantom power, balanced monitor outputs, headphone volume control, and compatibility with your computer or mobile device. USB-C describes the connector, not necessarily the interface’s speed or included accessories.

Who Should Buy Which Audio Interface with Midi Ports?

Choose a two-input model if you mainly record one performer, a microphone and guitar, or a stereo keyboard. A four-input interface is a better fit for multiple microphones, small ensembles, or a setup that includes both instruments and external hardware. Beginners should prioritize simple controls and dependable drivers, while producers using synthesizers or drum machines should verify dedicated MIDI ports before purchasing.

For podcasting and streaming, prioritize clean voice gain, easy headphone monitoring, and loopback or routing features when required. Mobile creators should choose a bus-powered model explicitly listed as compatible with their phone or tablet. Finally, leave room for future expansion: paying slightly more for additional inputs or MIDI connectivity can prevent an early upgrade.